PRODUCING & BEAT-MAKING

The Folks Never Smile (HAAMS Composition)

Plastic Bag

This narrative-based Hip-Hop instrumental was submitted for a compositional assessment in the History of African American Music Studies module. The piece interrogates the concept of what constitutes Black music, whether Read more

This narrative-based Hip-Hop instrumental was submitted for a compositional assessment in the History of African American Music Studies module. The piece interrogates the concept of what constitutes Black music, whether its essence lies in sonic aesthetics or in creative approach and methodology.

To explore this tension, I constructed an underground, sample-based Hip-Hop instrumental built around Thai northeastern funk, molam, as its primary source material, while applying the creative frameworks and compositional approaches theorized and pioneered by African Americans.

Thematically, the track functions as a protest song, cutting through the patronizing veneer of Thailand as an idyllic nation of beauty, rich culture, and gratitude. It confronts the long-suppressed histories of political repression, state-sanctioned massacres, and the deep-rooted inequality and injustice that persist beneath that carefully maintained image.

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    The Folks Never Smile 3:27
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Batch 2021: Soi Bhumidham

Plastic Bag

This 2025 beat tape brings together a batch of beats I made back in 2021, when I was deep into exploring new sounds and textures. I sampled from uncommon styles like Arabic jazz, Japanese fusion, and Italian orchestral Read more

This 2025 beat tape brings together a batch of beats I made back in 2021, when I was deep into exploring new sounds and textures. I sampled from uncommon styles like Arabic jazz, Japanese fusion, and Italian orchestral pop, blending them into something that still felt true to my sample-based roots. Every track was produced, mixed, and mastered by me, keeping that warm, gritty feel I've always loved. The final track features a verse from Rhymekhamhaeng, bringing the project full circle and closing it on a familiar, collaborative note.

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    More Seng (30 Bars) With Rhymekhamhaeng 2:30
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    Nakniwat 48 Yaek 7 2:40
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    Rieb Tang Duan Tid Gub Eastville 1:56
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    Somboon's Unction (Barn Puen Gu) 1:52
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    Ai Barn Hia Nun Kai Yar (Mae Gu Bork) 1:56
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    Audi The Sterilized Dawg 2:37
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    Woke up at 12 and damn what a saddening message ive just recieved 2:42
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    Belongs to Moakh (don't u dare try rapping on it) 2:07
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    Thursday Football At Grand Soccer Pro Kaset Nawamin 7PM 2:07
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    Parn's mom paid half for chelsea ticket 2:20
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    Ajarn Mhai Predicted Maresca To Lose (He Was Right) 2:11
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Puzzicloset's Event Promotional Music

Hero Bhumidham

These are two tracks I produced for Puzzi, a friend's fashion and art collective that hosts events in Thailand and New York. Both instrumentals are built around chopped traditional Thai samples, recontextualised into Read more

These are two tracks I produced for Puzzi, a friend's fashion and art collective that hosts events in Thailand and New York. Both instrumentals are built around chopped traditional Thai samples, recontextualised into underground, sample-based hip-hop. The main challenge was keeping the tracks engaging without a rapper to carry them, letting the production itself hold the listener's attention.

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    Puzzi Around Bangkok (Sticker Launch) 3:01
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    Mhor Lum Chops - New York Pop-Up 1:51
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Bag of Rhyme$

Plastic Bag, Rhymekhamhaeng

I began making beats in 2018, shifting toward sample-based hip-hop in 2020 after discovering producers such as The Alchemist, J Dilla, Madlib, Nicholas Craven, and Roc Marciano. This 2021 EP marked a turning point in both Read more

I began making beats in 2018, shifting toward sample-based hip-hop in 2020 after discovering producers such as The Alchemist, J Dilla, Madlib, Nicholas Craven, and Roc Marciano. This 2021 EP marked a turning point in both my sound and workflow, developed collaboratively with Thai rapper and producer Rhymekhamhaeng, each of us producing half the instrumentals and rapping over the other's beats.

The featured tracks, Tenderloin and Layman's Terms, highlight my production on the former and my vocals on the latter. Together they reflect my love for raw, sample-driven hip-hop: gritty, authentic, and intentionally unpolished. An organised mess, if you will

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    What's in the Bag (Intro) 1:39
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    Yin Yang 2:56
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    Tenderloin 2:19
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    Mamiamoist 2:04
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    Layman's Term 2:39
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    94' Prodigy 2:36
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    Rap Caprice (ft. Réjizz) 3:02
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    One Afternoon 2:31
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The Falling Sword of Damocles

Plastic Bag

This is a fully independent solo album from 2020, which I handled every aspect of the project myself, writing, producing, recording, mixing, and mastering. The album draws on sample-based production rooted in emotionally Read more

This is a fully independent solo album from 2020, which I handled every aspect of the project myself, writing, producing, recording, mixing, and mastering. The album draws on sample-based production rooted in emotionally driven textures, with vocal mixing that balances raw grit and clarity. I have included this work to reflect my sonic identity as both an artist within the underground hip-hop tradition and engineer: one in which emotion shapes the sound and clarity ensures the message I try to get across lands.

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    They Won (Intro) 1:22
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    God Is a Narcissist 2:16
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    Choked Up 4:03
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    Anecdotes 2:06
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    Bless Me 1:33
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    Bloodshed Interlude 1:32
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    Bottles and Blood 3:38
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    Bricks and Stones 2:56
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    Praised Up 1:54
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    Blasphemous 3:27
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