MERCURIALSCAPE

Hero Bhumidham, Dylan Hooper, Louis Quillian

Mercurialscape is an electronic music EP derived from the word "mercurial," describing a person of unpredictable, rapidly shifting moods. The EP charts a journey through an imagined dystopian future using the sonic Read more

Mercurialscape is an electronic music EP derived from the word "mercurial," describing a person of unpredictable, rapidly shifting moods. The EP charts a journey through an imagined dystopian future using the sonic palette of the past, drawing on techniques such as tape cutting in the tradition of musique concrète, analogue drum machines, and synthesisers. Created alongside Dylan Hooper and Louis Quillian as part of my third-year Sonic Fiction submission, my contributions centred on mixing and mastering, with some involvement in production.

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Methin The Musical (Official Soundtrack)

Hero Bhumidham

I had the privilege of producing, recording, mixing, and mastering the soundtrack for a musical production organised by Thai students in London. All recordings were completed in a home setup using an SM57 microphone and a Volt 2 interface. Tracks include covers and originals

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WAMPTA (WESTERN ART MUSIC)

Hero Bhumidham

This is a collection of recordings from my WAMPTA (Western Art Music Production Techniques and Aesthetics) module, which focuses on acoustic recording and mixing within the classical tradition, emphasising stereo miking Read more

This is a collection of recordings from my WAMPTA (Western Art Music Production Techniques and Aesthetics) module, which focuses on acoustic recording and mixing within the classical tradition, emphasising stereo miking and natural acoustic spaces.

I've done research and drawn inspiration from classical acoustic techniques used by ECM and Decca Records, and artists like Pat Metheny, going into this project.

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Mercy Mercy Me (Recreation)

Hero Bhumidham, Frances Burnett

This is my second-year coursework for the POPTA (Popular Music Recording Techniques and Aesthetics) module. Tasked with re-creating Marvin Gaye’s Mercy Mercy Me as closely to the original as possible. Through extensive Read more

This is my second-year coursework for the POPTA (Popular Music Recording Techniques and Aesthetics) module. Tasked with re-creating Marvin Gaye’s Mercy Mercy Me as closely to the original as possible. Through extensive research into Motown’s recording, mixing, and mastering techniques, as well as the specific gear used, I tracked and processed each instrument to match the original sonically. This project significantly developed and refined my skills in recording and post-production as an engineer.

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